MNNN MNNN
September 23, 2016 / Interviews

We speak to Ace & Tate Creative Fund Board Members

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mariodevega_rnsg1t September 23, 2016
September 23, 2016 / Branding

Kuti Kuti, the comic association looking to educate

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mariodevega_rnsg1t September 23, 2016
September 2, 2016 / Creativity

Danny Fox: the Cornish artist inspired by LA’s Skid Row

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mariodevega_rnsg1t September 2, 2016
  • Prologue

  • El Llamado

  • La Culpa

  • Sobre Negro

  • Time Lapse

  • Persona

  • Adición

  • Protocol (The Messenger)

  • La Esperanza

  • El Intruso

  • Los Confinados
    [ MEMORANDUM ]

  • Study for Refraction and Rotary Motion

  • The Invisible Other

  • Smells Like Teen Spirit

  • Sound System Facing An Empty Area

  • Should I Stay or Should I Go

  • Los Testigos

  • Los Castigados

  • Facial

  • A B S E N T I A

  • Arm cut with a cymbal

  • BIAS

  • “Quæris quo jaceas post obitum loco?.
    Quo non nata jacent.”
    – Seneca

  • Syncretismus Hypothesi

  • Para aquellos que han sido
    (For the ones who have been)

  • Amphibia

  • La Ruina

  • Registros

  • 34 disparos

  • Los Miembros

  • Meridian

  • Tantrum

  • Tú

  • Corrective

  • Castigos

  • Mario Cirilo González Pinedo

  • Moneda incrustada

  • Interlude

  • Fall

  • AXIS

  • Spiegelung

  • Laringe

  • Monochrome

  • Collision #2

  • Collision #1

  • Quejas y Denuncias

  • Auto

  • DOLMEN

  • NODE [ SIN ]

  • 30 modified industrial lamps consuming 12000 watts

  • Desplazamiento

  • Botellas arrojadas contra un muro

  • Fence of galvanized wire electrified with 7000 volts

  • CREDO

  • 04510

  • White Noise

  • Final

  • Electronic detonation of 3.5kg of gunpowder

  • Combustion of a reed structure affixed to the building (luma)

  • Bicentenario

  • Match (An Essay on Concentration and Expansion)

  • Hummer Limousine obstructing the entrance the exhibition space

  • Ice cream truck in operation during the opening of the exhibition

  • Mexican National Anthem

  • The motionless world of time between,
    or the drunken taxicab of absolute reality

  • V I V O S
    V O C O
    M O R T U O S
    P L A N G O
    F U L G U R A
    F R A N G O

  • Footprint

  • Polystyrene modified with a leather whip

  • Appendix 3

  • Appendix 2

  • Appendix 1

  • Trypthicon

  • Polyurethane modified with microwaves

  • Printed material from the transmediale festival altered with microwaves

  • Anti-static material altered with microwaves

  • FM Scan

  • Forehead

  • Tiere

  • Parabellum

  • Black Market

  • Detonation of an explosive covered with newspaper

  • Gas tank of 1600 litres modified with 6.5kg of gunpowder

  • Detonation of an explosive covered with soil and stones

  • Detonation of an explosive inside a trash bag

  • 250g of gunpowder detonated in a sewage pipe

  • Steel plate modified with an explosive

  • Abandoned object in the exhibition space

  • Headphones

  • Usuarios (In collaboration with Vîctor Mazón Gardoqui

  • Solo for Electronics and Unstable Media

  • MNNN

Mario de Vega’s work evokes listening settings whether the ear still listening, or only believes to listen.

Sonic imprints, induced situations, design of interfaces, sculptures produced with detritus of actions, architectonic interventions, and social situations. Relations between energies and systems.  

He is professor at the Kunsthochschule Kassel. 

 

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