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September 23, 2016 / Graphics

Ran Park explores the chaos of “Konglish” in a new zine

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mariodevega_rnsg1t September 23, 2016
September 2, 2016 / Graphics

Nolan Paparelli’s typographic designs balance graphical styles and fluidity

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mariodevega_rnsg1t September 2, 2016
August 23, 2016 / Graphics

Jason Shulman Captures Entire Movies In a Single Image

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mariodevega_rnsg1t August 23, 2016
  • Prologue

  • El Llamado

  • La Culpa

  • Sobre Negro

  • La Esperanza

  • Persona

  • Protocol (The Messenger)

  • El Intruso

  • Los Confinados
    [ MEMORANDUM ]

  • The Invisible Other

  • Los Testigos

  • Los Castigados

  • A B S E N T I A

  • Los Miembros

  • La Ruina

  • BIAS

  • “Quæris quo jaceas post obitum loco?.
    Quo non nata jacent.”
    – Seneca

  • Syncretismus Hypothesi

  • Para aquellos que han sido
    (For the ones who have been)

  • Amphibia

  • Registros

  • 34 disparos

  • L I T H I U M

  • Tantrum

  • Tú

  • Corrective

  • Castigos

  • Rostro de un desconocido

  • Mario Cirilo González Pinedo

  • Moneda incrustada en Muro

  • Intermission

  • Fall

  • Study for Refraction and Rotary Motion

  • AXIS

  • Spiegelung

  • Laringe

  • Adición

  • Time Lapse

  • Smells Like Teen Spirit

  • Monochrome

  • Collision #2

  • Collision #1

  • Should I Stay or Should I Go

  • Quejas y Denuncias

  • Auto

  • DOLMEN

  • NODE [ SIN ]

  • Sound System Facing An Empty Area

  • 30 modified industrial lamps consuming 12000 watts

  • Desplazamiento

  • Botellas arrojadas contra un muro

  • Fence of galvanized wire electrified with 7000 volts

  • CREDO

  • 04510

  • White Noise

  • Final

  • Electronic detonation of 3.5kg of gunpowder

  • Combustion of a reed structure affixed to the building (luma)

  • Facial

  • Bicentenario

  • Match (An Essay on Concentration and Expansion)

  • Hummer Limousine obstructing the entrance the exhibition space

  • Ice cream truck in operation during the opening of the exhibition

  • Mexican National Anthem

  • The motionless world of time between,
    or the drunken taxicab of absolute reality

  • Arm cut with a cymbal

  • V I V O S
    V O C O
    M O R T U O S
    P L A N G O
    F U L G U R A
    F R A N G O

  • Footprint

  • Polystyrene modified with a leather whip

  • Incustación en piso

  • Debris

  • Trypthicon

  • Materials altered with microwaves

  • Anti-static material altered with microwaves

  • Polyurethane modified with microwaves

  • FM Scan

  • Forehead

  • Tiere

  • Parabellum

  • Black Market

  • Printed material from the transmediale festival altered with microwaves

  • Detonation of an explosive covered with newspaper

  • Gas tank of 1600 litres modified with 6.5kg of gunpowder

  • Detonation of an explosive covered with soil and stones

  • Detonation of an explosive inside a trash bag

  • 250g of gunpowder detonated in a sewage pipe

  • Steel plate modified with an explosive

  • Abandoned object in the exhibition space

  • Headphones

  • Usuarios (In collaboration with Vîctor Mazón Gardoqui

  • Solo for Electronics and Unstable Media

  • MNNN

Mario de Vega’s work evokes listening settings whether the ear still listening, or only believes to listen.

Sonic imprints, induced situations, design of interfaces, sculptures produced with detritus of actions, architectonic interventions, and social situations. Relations between energies and systems.  

He is professor at the Kunsthochschule Kassel. 

 

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